Academy of Fine Arts, Vienna
Museum of Modern Art
California Museum of Photography
Los Angeles County Museum of Art
California Biennial, Orange County Museum of Art
CW: Can you talk a little bit about these “wall” installations you’ve been creating? The work, which is hung in strategic clusters, often reads as one collective body.
ZC: I’ve worked this way in both the LACMA and MoMA shows, and in both cases it’s been very specific to the institutional wall. Those I’ll call the Disbanding of Michelle duBois. Both of the projects were focused mostly on The Disappearance of Michelle duBois. I was interested in her gaze darting back and forth, as well as the physical inability to see her. So, I come up with various versions, and then create them site-specifically for institutions.
Please click here for more, from an interview with Carmen Winant for Aperture.